Chapter 1

ENVIRONMENT

Anika’s Irises

2008

Watercolor, paper

I was born a month before the civil war broke out in Tajikistan. The conflict lasted for 5 years and created danger and instability in all spheres of life. Many, including our family, lost their jobs or found that their salaries became devalued in a new economic reality. People had to adapt or leave.

Prior to USSR’s dissolution, my mother and grandmother were a part of mountaineers’ community - doctors, architects, engineers, mechanics, poets, construction managers and academics - who shared a love for skiing, hiking, rock climbing, and spending time together as a “Kollektiv”.

They continued coming together every weekend for an outdoor outing in spite of the war, economic hardship, lack of infrastructure, water, and electricity. They engaged in mutual aid outside of the mountains, celebrated each other’s birthdays, mourned losses, and processed change together.

In the chaos of new capitalism, without systemic incentives to maintain this community, this was a fragile, human-made thing, sustained by will and shared purpose in a small pocket of a crumbling world, that somehow kept on going.

Fortunately, I became a part of this community and spent the first 16 years of my life feeling like I have a family of about 50 people, who I could always turn to for safety, knowledge, and fun. They taught me to respect nature and to see beauty in the bare grey rocks. They taught me the value of friendship and camaraderie, of caring for others, of being egalitarian, of having integrity, of doing hard things together and creating joy, even when the circumstances are unfavorable.

Looking at them and the surrounding reality, I was under the impression that there is clear “good” and “evil” in the world, that there are concrete truths, and that values of Integrity, Friendship and Nature are either universally accepted, or should be.

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Mountains and nature

Oil, acrylics, canvas

Various sizes, 2007 - 2012

The subjects of my art from these years and a bit after reflects my love for the natural world around, and the bright colors and thick strokes of the earliest paintings are a giveaway of my somewhat modernist worldview at that time, when there was no ambiguity about most things.

The majority of my artwork created at that time was gifted to “Kollektiv” members and mom’s expat friends, and we did not take photos. These are the only surviving pieces that I can account for.

*The piece to the center right (rolling hills and wildflowers) was made from watching a Youtube tutorial in 2015, and is based on another artist’s work.

Mountain Series

The subjects of my art from these years and a bit after reflects my love for the natural world around, and the bright colors and thick strokes of the earliest paintings are a giveaway of my somewhat modernist worldview at that time, when there was no ambiguity about most things.

“Takob At Night”

Oil, canvas

2007

42 cm x 60 cm

“Takob” is the name of the place where “Kollektiv” gathered every winter to ski.

“Takob In Summer”

Oil, canvas

2007

42 cm x 60 cm

In summer, we visited Takob to clean the surrounding areas and hike trails from any trash that was hiding under the snow.

“Takob At Night II”

Acrylics, canvas

2008

42 cm x 60 cm

There was something special about the way moonlight reflected off the snow at night. Other kids and I were obsessed with discovering “paranormal secrets” about these mountains. We would come up with endless stories and make little drawings of all the unseen forces living out there.

Mountain Series

“Sunset In Takob”

Oil, canvas

2006

42 cm x 60 cm

This was the first oil painting I made.

“Khoja Obi Garm”

Oil, canvas

2007

42 cm x 60 cm

Khoja Obi Garm is a place not far from Takob, where we went on many hikes.

“Varzob”

Acrylics, canvas

2010

42 cm x 60 cm

Varzob is a mountain gorge that connects a lot of special places together.


Flower Series

This series explores the Platonic ideal of ‘floweriness’- not the depiction of specific plants rooted in a particular time or place, but the idealized concept of a flower itself.

“Peony”

Acrylic, canvas

2011

21 cm x 30 cm

Peonies were Anika’s favorite flowers. I made this painting for her.

“Iris”

Acrylic, canvas

2011

21 cm x 30 cm

Anika grew irises and was the first person to show them to me and facilitate plain airs, both in her garden and all over Dushanbe city when the different variations of irises bloomed.

“Lotus”

Acrylic, canvas

2011

21 cm x 30 cm

My grandmother Anika was one of my primary caregivers. She was an architect who loved gardening, and if it wasn’t for her skills, labor, and care, our family would starve during the civil war. She couldn’t participate in the regular hikes and skiing after 1998, but took me to her little garden on most summer weekends. There I spent countless hours digging, picking, reading, gazing, and enjoying Anika’s company. Anika was compassionate, intelligent, honest, self-directed, generous with both strangers and neighbors, loving, kind, and under her gentle touch, everything blossomed. She modeled community-oriented behaviors and attitudes without dogmatic justifications, and showed how to accept different people with respect for their dignity.

Anika cultivated my appreciation for reading, nature, and art. She was very supportive and involved in these activities both emotionally and materially.


“Thick impasto, glazing, fumato-ing

Pen, brush, charcoal

A4

Pen, ink

9’’ x 14’’

Tea & pen

8 cm x 20 cm


First attempts

Pen, brush, charcoal

A4

First attempt at a non-representational subject, second oil painting made.

Pen, ink

First attempt at a non-representational abstract expression of ideas